Thank you everyone for an amazing time and great week in Japan. I'll catch up with everyone tomorrow. As of now, if you're reading this, I should be On My Way Home.

The journalist asked me, "Do you feel okay to start?" - I said, "I guess so"

Until last night, I'd only slept about two and a half hours since arriving in Japan four days ago. I'd already performed six concerts and was ready to go the hospital from total exhaustion. But just when I thought things were at their worst, I somehow was able to get the strength to do the job I love doing. I even did a number of interviews, which is one of the hardest part of my job too!

I believe it's the love of the audience, the workers, and my amazing crew that gives me the ability to pull it together. I never want to let them or myself down. Most musicians have this ability to call on that extra little bit of energy, just when you feel you don't have anything left. Here's what I was able to pull of yesterday, even though I Thought I Was About to Pass Out.

Hanging with some of my Japanese Family at last night's show

I've had a couple of bad days in a row physically and emotionally but I never let it show and I never complain about it. I use these blog posts to inform and help me cope. I have many gifts which I use as coping mechanisms: chief among the are music, friends, and Family. But the lines between friends and Family Are starting to blur.

As I travel the world, people seem to feel closer. It could be because when I was hit with cancer, people and life seemed to matter more. I'm not going to waste time looking for the answer because I don't care about the reason, I only care about the feeling. I feel like when I'm playing music with CHIC, every participant in the entire experience feels like We Are Family.

Talking to the people before the show

Legendary TV impresario Dick Clark died last night on the sixteenth anniversary of Bernard Edwards' death. He says Bernard's name first in the debut video of CHIC on American Bandstand. We worked for Dick Clark a number of times after that and he did a lot to bring us to the attention of the American masses.

Last night, while Dick's news was breaking, CHIC was performing in Tokyo. Dare I humbly say, we brought the house down. I feel totally energized to play this music that both Dick and Bernard loved so much.

CHIC has many second homes around the world, and Tokyo being the largest city in the world, feels like they've adopted us completely. Check These Pictures Out!

The view from my bed in Tokyo

Tonight I was lying in my bed here in Tokyo, Japan. I was still awake at the same hour that Bernard passed away in April 1996. I feel honored that our first show in Japan this year will be on the same day. Bernard and I used to always say "The Show Must Go On," and this is a philosophy I still believe today.

Last year at this time I played my first show after having radical prostate cancer surgery. The doctors were not sure if I was going to make it, but my whole team worked hard physically, mentally, and spiritually.

A year has passed and I'm doing much better. Honestly, I can't believe how good I feel. It's almost as if I have a new life. I'm composing a musical which coincidentally has a song that is a metaphor for my own situation. It's called "Start Again."

When I had my operation, the cancer was so aggressive that I believed I was looking Death in the face. Maybe Mr. Death looked back and said, "The Show Must Go On."

Nile Rodgers & CHIC at The Blue Note Tokyo

Yesterday, I began my journey half-way across the world from NYC to Japan. In the 14 hours I spent up in the air, Adam Lambert's team launched audio clips of his upcoming album, including the track I did with him and Sam Sparro, "Shady." The response is fantastic. Just wait 'til you hear the whole thing!

I'm going to get some rest now, but I'll catch up with everyone in tomorrow's blog, as I get ready for my week of gigs at The Blue Note Tokyo.

If you are reading this, I'm most likely flying to Japan. This is my favorite time of the year there. Almost anywhere you look you can see cherry blossoms. This yearly trip has become something of a tradition for us, and so has playing at the Blue Note Tokyo. We love playing there because we get to experiment with different music in this intimate nightclub setting. For the last few years, we've been hosting a guitar giveaway contest which is fun and funky.

I look forward to seeing my many friends, as well as family (my godson's mom is in Okinawa), and the professional Blue Note Tokyo staff, who feel like extended family, too. Speaking of extended family, while I'm there I think I'll get a chance to see ex-Power Station vocalist Michael Des Barres and Duran Duran's Simon Le Bon.

1980 Gibson SG Signed by all members of AC/DC plus Arnold Schwarzenegger - Try and figure that one out?

Yesterday, as the dim morning light shined through my window, I picked up one of my guitars that I rarely play. As soon as I started playing it I noticed how great it felt, even with old rusty strings. I turned on the light and realized why I don't play it much. It's one of the guitars that's been signed by a lot a great artists to commemorate an event. I get guitars signed every time I participate in a unique event.

Some people don't like signed guitars, but I find them very beautiful. Not just because I like the way they look, but because of the occasions and people they represent. To me, all of these guitars are sexy enough to be Proudly Labeled #GuitarPorn.

Here's But a Few of My Gold and Platinum Records and awards

Awards and accolades are not the reason why I do what I do. I do what I do because I can't help myself. I'm completely compelled to create music because it's one of main traits that defines who I am as a human being. Awards and accolades are simply the fringe benefits that come if I do a good job. I love doing the work and I love the people that I've worked with.

Yesterday, I was sent an article from the prestigious magazine NME, that listed the 50 Greatest Producers Ever (according to them.) It's cool being on the list and it's cool that they believe I'm worthy of being in the top 5. As I read the list of my records they had noted in the article, I thought of how lucky I am to have played with so many amazing artists.

I may be a producer and a composer, but I'm also a guitarist. I've played with hundreds of artists over a wide range of disciplines: Nina Simone, Phoebe Snow, Billy Joel, Beyoncé, Bruce Springsteen, Bruno Mars, Adam Levine, Adam Lambert, Herbie Hancock, Bonnie Raitt, Wayne Shorter, The Stray Cats, John McLaughlin, Marcus Miller, David Lee Roth, Carlos Santana, Lenny Kravitz, Stevie Wonder, Lionel Richie, Big and Rich, Idina Menzel, Elvis Costello, Beavis and Butthead, Big Bird and Barney, Hall and Oates, and Meryl Streep, To Name But a Few.

Working in the studio on a composition

In the course of an average day in my life, I do a great many things and yesterday was no exception. I worked in the studio with my own music composition and production. I organized the artists lineup and run of show for the Montreux Jazz Festival on July 13, the night that I'm performing and curating. I also had two conference calls and I did an interview with Rolling Stone magazine. It was regarding the Adam Lambert Song "Shady." I played on this song a few months ago.

The journalist wanted to know what it was like to work with Adam. I explained to him that working with Adam felt comfortable and desperate at the same time. "Desperate?," he asked. "In what way?" I said, "We only had a few hours to work because of both our schedules." I was leaving town the next day as was Adam. Time was our enemy but because we had no choice we booked Avatar studio and just went in to get it done.

Adam was professional and focused but he also allowed me to interpret the song my way. After I played what I wanted, we collaborated on some other ideas. Then, I just jammed along and improvised on The Adam Lambert Song "Shady."